Trevor Young

 
 
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SELECT MEDIA COVERAGE
Louis Jacobson, Three notable 2025 exhibits in painting, "Easy on the Eyes: The Best in Local Photography Exhibits for 2025", Washington City Paper, December 9, 2025 (reviews Radiant Detritus)

Louis Jacobson, Painting the Town: Wayson R. Jones, Leon Berkowitz, and Trevor Young Demonstrate the Depth of Local Art, Washington City Paper, April 15, 2025 (reviews Radiant Detritus)

East City Art Editorial Team, Addison/Ripley Fine Art | Trevor Young Radiant Detritus, East City Art, March 10, 2025

Louis Jacobson, Trevor Young at Addison/Ripley Fine Art, "Seven Standout Photography Exhibits of 2023", Washington City Paper, December 22, 2023 (reviews Wastelands)

Mark Jenkins, Ferry, Hornady & Young, "In the galleries: Exploring new methods of image transformation", Washington Post, May 5, 2023 (reviews Wastelands)

Staff writers, Trevor Young at Addison/Ripley Fine Art, The Georgetown Dish, April 12, 2023 (review Wastelands)

Louis Jacobson, Two Painters of Note, "The best D.C. photography exhibits of 2020", Medium, December 2, 2020

Eric Celarier, East City Art Reviews–Trevor Young: Seeing in the Dark, East City Art, October 6, 2020 (reviews Seeing in the Dark)

Mark Jenkins, In the galleries: Studies in 'anti-landscapes' and seeing the unseen, Washington Post, September 25, 2020 (reviews Seeing in the Dark)

Louis Jacobson, Try 'Seeing in the Dark' or Explore Sweden's 'Smart Mobility', "City Lights", Washington City Paper, May 25, 2020 (reviews Seeing in the Dark)

Eric Hope, East City Art Reviews: Strictly Painting 12 at McLean Project for the Arts, East City Art, July 8, 2019

Mark Jenkins, In the galleries: ‘Archiving Eden’ exhibition sprouts interest with macro photos, Washington Post, July 5, 2019 (review of Strictly Painting 12)

Mark Jenkins, A Painter Who Finds Revelation in Darkness, Washington Post, May 20, 2018 (reviews Light Structures)

Staff writer, Trevor Young, Meer.com, May 19, 2018 (reviews Light Structures)

Louis Jacobson, Trevor Young: Light Structures, Washington City Paper, May 18–24, 2018

East City Art Editorial Team, Addison/Ripley Fine Art Presents Trevor Young Night Gallery, East City Art, July 12, 2017

Grace-Yvette Gemmell, Trevor Young Finds Beauty in Banality, Artsy, February 18, 2016 (review of Voltage)

Louis Jacobson, At Addison/Ripley, Painter Trevor Young Modestly Extends His Brand, Washington City Paper, February 15, 2016

Holly Mazar-Fox, Man-Made America, DC Modern Luxury, January/February 2016

Staff writers, Trevor Young: Voltage, "Weekend Roundup", The Georgetowner, January 28, 2016

Trevor Young: Protecting urban environments, Full Frame, CGTN America, October 24, 2015

Tina Coplan, Night Scape, Home&Design, September/October 2015

Isabel Manalo, Trevor Young, The Studio Visit (TSV), April 19, 2015

Louis Jacobson, "Blast Off!" At Cross MacKenzie Gallery, Washington City Paper, April 4 2015

Staff writers, Painter, Trevor Young, On Nightscapes and Non-Places, Mapanare.com, March 5, 2012

Staff writers, Trevor Young: A Passion for People and Non-Places, Professional Artist Magazine, June 26, 2013 (appeared in March 2011 issue)

John Anderson, Dawson’s Creak: Reflections on ‘Real Art D.C.’, Washington City Paper, November 3, 2010

Jessica Dawson, Jeffrey Cudlin’s ‘By Request’: Mutual Admiration Society Keeping its Own Counsel, Washington Post, July 2, 2010

Louis Jacobson, ‘Trevor Young: Premium’ at Civilian Art Projects, Washington City Paper, May 7, 2010

Maura Judkis, Painting the Town: D.C.’s Introduction to ‘New Brow’ Art Hits a Wall, Washington City Paper, March 10, 2010

Jessica Dawson, You are Where? Getting to Know ‘Non-Places', Washington Post, May 8, 2009

Maura Judkis, Trevor Young’s Non-Places at Flashpoint, Washington City Paper, May 1, 2009

Blake Gopnik, Here & Now, Washington Post, February 8, 2004 (reviews Trevor Young Has Gone Postal)

Andrea Murray, The Program, NPR, WETA 90.9, January 25, 2004

Louis Jacobson, Young Painters, Washington City Paper, September 20-26, 2002

Louis Jacobson, Lyrical Landscape, "Land of the Brave", Washington City Paper, January 18, 2002
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